D'Ambrosi, Joseph R. “The Search for a Great, Big, Beautiful Tomorrow: Performing Utopia with Non-Human Bodies in the Hall of Presidents,” in Performance and the Disney Theme Park Experience: The Tourist as Actor. Jenny Kokai and Tom Robson, editors. London: Palgrave Macmillan, 2019. 

D’Ambrosi, Joseph R. “Teaching Angels in America, Part 1: Millennium Approaches.” How to Teach a Play: Essential Exercises for Popular Plays. Ed. Miriam Chirico and Kelly Younger. New York: Bloomsbury Press, 2020. 


D'Ambrosi, Joseph R. “High-Heeled Shoes and Bongo Drums: Ritual as a Dramatic Convention in Harold Pinter's The Lover.” The Harold Pinter Review, vol. 2, no. 1, 2018, pp. 82–96.

D'Ambrosi, Joseph R. "You Must Know Theory To Act." Southern Theatre 56.3 (2015): 4. Print.                                              

D'Ambrosi, Joseph. "O Be Careful, Little Eyes, What You See: Combatting Censorship as a Christian Theatre Artist." HowlRound: A Knowledge Commons by and for the Theatre Community. 9 Nov. 2015. Web.


Book Reviews 

Review of Henry Bial’s Playing God: The Bible on the Broadway Stage, Ecumenica Journal of Theatre and Performance.

Review of Jonathan M. Hess's Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage. Theatre History Studies (38, 2020). 

Review of C.S. Walter's Dance, Consumerism, and Spirituality. PRS: Performance, Religion, and Spirituality (1.2, 2018). 


© 2013-2016 by Joseph D'Ambrosi. 

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