PUBLICATIONS

Articles

D'Ambrosi, Joseph R. "On the Stage, but not of the Stage: Harriet Beecher Stowe’s The Christian Slave and the Advent of Evangelical Theatre in Antebellum America.” Ecumenica: Performance and Religion, 13.2, 2020, pp. 179-209.

D’Ambrosi, Joseph R. “Teaching Angels in America, Part 1: Millennium Approaches.” How to Teach a Play: Essential Exercises for Popular Plays. Ed. Miriam Chirico and Kelly Younger. New York: Bloomsbury Press, 2020. 

D'Ambrosi, Joseph R. "You Must Know Theory To Act." Southern Theatre 56.3 (2015): 4. Print.

D'Ambrosi, Joseph R. “The Search for a Great, Big, Beautiful Tomorrow: Performing Utopia with Non-Human Bodies in the Hall of Presidents,” in Performance and the Disney Theme Park Experience: The Tourist as Actor. Jenny Kokai and Tom Robson, editors. London: Palgrave Macmillan, 2019. 

D'Ambrosi, Joseph R. “High-Heeled Shoes and Bongo Drums: Ritual as a Dramatic Convention in Harold Pinter's The Lover.” The Harold Pinter Review, vol. 2, no. 1, 2018, pp. 82–96.

D'Ambrosi, Joseph. "O Be Careful, Little Eyes, What You See: Combatting Censorship as a Christian Theatre Artist." HowlRound: A Knowledge Commons by and for the Theatre Community. 9 Nov. 2015. Web.

Book Reviews

Review of Henry Bial’s Playing God: The Bible on the Broadway Stage, Ecumenica Journal of Theatre and Performance.

Review of C.S. Walter's Dance, Consumerism, and Spirituality. PRS: Performance, Religion, and Spirituality (1.2, 2018). 

Review of Jonathan M. Hess's Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage. Theatre History Studies (38, 2020).